Kirsten Stolle
Unravel
SOLO EXHIBITIONS
-
2020
TBD, NOME Gallery, Berlin, Germany -
2019
unravel, Jack Fischer Gallery, San Francisco, CA -
2018
Selective Memory, Winthrop University Galleries, Winthrop University, Rock Hill, SC -
2017
- Proceed At Your Own Risk, NOME Gallery, Berlin, Germany (catalog)
- Disarm, Southeastern Center for Contemporary Art (SECCA), Winston-Salem, NC
- By the Ton, Second Street Gallery, Charlottesville, VA
- What Goes On Here, Tracey Morgan Gallery, Asheville, NC
-
2016
Conceal/Reveal, Roy G Biv Gallery, Columbus, OH -
2015
Intervention, Turchin Center for the Visual Arts, Appalachian State University, NC -
2012
Genetically Commodified, Asheville Area Arts Council, Asheville, NC -
2010
Anatomy Of A Future Forest, Dolby Chadwick Gallery, San Francisco, CA -
2009
silva in posterum, Julie Nester Gallery, Park City, UT -
2007
- Evolutionary Soup, Dolby Chadwick Gallery, San Francisco, CA (catalog)
- Arboretum and Exquisite Inspirations, Butters Gallery, Portland, OR
-
2006
Uncovered: New Works by Kirsten Stolle, Julie Nester Fine Arts, Park City, UT -
2005
Room to Breathe: New Paintings by Kirsten Stolle, Dolby Chadwick Gallery, San Francisco, CA -
2003
Ohm and Shorthand: New Monotypes and Paintings, Tercera Gallery, Palo Alto, CA -
2002
- Kirsten Stolle: New Monotypes from Trillium Press, Trillium Press, Brisbane, CA
- New Works: Kirsten Stolle, Kathryn Markel Fine Arts, NY, NY
-
2001
New Prints by Kirsten Stolle, Turner Martin, Palo Alto, CA -
2000
Retro(spective): Monoprints and Monotypes by Kirsten Stolle, Octavia’s Haze, Gallery, San Francisco, CA
GROUP EXHIBITIONS
-
2019
- Art’s Work in the Age of Biotechnology: Shaping our Genetic Future, Gregg Museum of Art and Design, Raleigh, NC
- POSTCENTRAL, NOME Gallery, Berlin, Germany
- Who’s Afraid of Red, Asheville Area Arts Council, Asheville, NC
- In Times Like These, Pink Dog Creative, Asheville, NC
-
2018
- Under Construction: Collage From The Mint Museum, The Mint Museum, Charlotte, NC
- Los Angeles Billboard Show, The Billboard Creative, Los Angeles, CA
- Code Art Fair, Copenhagen, Denmark, courtesy of NOME Gallery
- Expo Chicago, Chicago, IL, courtesy of NOME Gallery
- The End is Where We Start From. On Tsunamis, Nuclear Explosions and other Fairy Tales, Balzer Projects, Basel Switzerland
- Paper Cuts: Large Scale Collage, Palo Alto Art Center, Palo Alto, CA
- 12 x 12: Twelve Artists from the 12th State, Southeastern Center for Contemporary Art (SECCA), Winston-Salem, NC
-
2017
- Evidentiary Realism Collective Show, NOME Gallery, Berlin, Germany (catalog)
- Plots and Prophecies, Datscha Radio, datscharadio.de, Berlin, Germany
- Transplants, Tracey Morgan Gallery, Asheville, NC
- Evidentiary Realism, NOME Gallery + Fridman Gallery, NY, NYC
- Art's Work in the Age of Biotechnology: Shaping Our Genetic Futures, NCSU, CAM Raleigh, Raleigh, NC
- Soundings: Protest | Politics | Dissent, Power Plant Gallery, Duke University, Durham, NC
-
2016
- Indestructible Wonder, San Jose Museum of Art, San Jose, CA
- ReForm: Future Fashion, Central Features Contemporary Art, Albuquerque, NM
- Nowhere Everywhere, Thompson Gallery, The Cambridge School of Weston, Weston, MA
- Shaky Ground, Lesley Heller Workspace, New York, NY (catalog)
- Agri-Culture, Dordt College, Sioux Center, Iowa
- Exquisite Porch, Morean Arts Center, St. Petersburg, FL (catalog)
-
2015
- Flock, Revolve, Asheville, NC
- DRAWN, Manifest Gallery, Cincinnati, OH (catalog)
- Feast: pleasure + hunger + ritual, Lexington Art League, Lexington, KY
- PN 30 Curated: Uncanny Valley, Slocumb Galleries, Eastern Tennessee State University, Johnson City, TN
-
2014
- Carte Blanche, Central Features Contemporary Art, Albuquerque, NM
- Hunter/Gatherer, Truman State University, Kirksville, MO (catalog)
- Give and Take, AAAC, Asheville, NC
-
2013
- Around the Table: Food, Creativity, Community, San Jose Museum of Art, San Jose, CA (museum commission)
- From These Hills: Contemporary Art in the Southern Appalachian Highlands, William King Museum, Abingdon, VA (gallery guide)
- 17th Annual No Dead Artists Exhibition, Jonathan Ferrara Gallery, New Orleans, LA
- Evolve, Galerie 103, Kauai HI
- Our Backyard, Artists Consider the Environment, Roos Arts, Rosendale, NY
- Food: Friend or Foe, Target Gallery, Torpedo Factory, Alexandria, VA
- Seeing is Believing, Upstairs Artspace, Tryon, NC
-
2012
- Third Annual UNC Asheville Invitational Exhibition, S. Tucker Cooke Gallery, University of North Carolina, Asheville, NC
- Funny Papers, Upstairs Artspace, Tryon, NC
-
2011
- Stolle, Taylor and Whiting, Alan Avery Art Company, Atlanta, GA
- Ucross Retrospective Exhibition, Ucross Foundation Art Gallery, Clearmont, WY
-
2010
- Dollhouse, ARC Gallery, San Francisco, CA (catalog)
- Paper, Julie Nester Gallery, Park City, UT
- Ucross: Twenty-Seven Years of Visual Arts Residencies, Nicolaysen Art Museum, Casper, WY (catalog)
- Secret Drawings, Palo Alto Art Center, Palo Alto, CA
-
2009
- Macrocosm, Alan Avery Art Company, Atlanta, GA
- Sounding Out, Chicago Art Source Gallery, Chicago, IL
-
2008
- Encaustic Paintings, Julie Nester Gallery, Park City, UT
- Moving Pictures, Julie Nester Gallery, Park City, UT
-
2007
- The Little Show, Swarm Gallery, Oakland, CA
- Senior Artist Fellowship Group Show, Oregon College of Art and Craft, Portland, OR
- 10-Year Anniversary Exhibition, Dolby Chadwick Gallery, San Francisco, CA
-
2006
- 5th Minnesota National Print Biennial, University of Minnesota, Katherine E. Nash Gallery (catalog)
- 5th Minnesota National Print Biennial, Tweed Museum of Art, Duluth, MN, (catalog)
- Natural and Unnatural: Imagining Landscape, Hunterdon Museum of Art, Clinton, NJ
-
2005
- 17th Anniversary Show, Butters Gallery, Portland, OR
- Out of Line, Riverside Art Museum, Riverside, CA
- Neo Mod: Recent Northern California Abstraction, Monterey Art Museum, Monterey, CA (catalog)
-
2004
- Neo Mod: Recent Northern California Abstraction, Crocker Art Museum, Sacramento, CA (catalog)
- Inaugural Exhibition, Julie Nester Gallery, Park City, UT
- New Works by Kirsten Stolle and Chris Metz, Ballard Fetherston Gallery, Seattle, WA
- 4th Minnesota National Print Biennial, University of Minnesota, Katherine E. Nash Gallery (catalog)
-
2003
77 th Annual International Competition, The Print Center, Philadelphia, PA -
2002
Trillium Press: Contemporary Prints, Art Foundry Gallery, Sacramento, CA -
2001
Surfacing: Furniture, Boxes and Monotypes, Tercera Gallery, Palo Alto, CA -
1999
Ink & Clay, 25th Anniversary Show, W. Keith and Janet Kellog Art Gallery, Pomona, CA -
1998
- First Northern Ireland Print Exhibition, Townhouse Gallery, Belfast, Ireland
- Tradition and Transition in the ‘90s, Somar Gallery, San Francisco, CA
-
1997
Beyond Boundaries, Richmond Art Center, Richmond, CA -
1995
Biennial Print and Draw Exhibition, Triton Museum of Art, Santa Clara, CA -
1994
- Drawn to Abstraction, Sebastopol Center for the Arts, Sebastopol, CA
- Small Works Exhibition, Arts Benicia, Benicia, CA
- West Coast Works On/Of Paper, The Ink People, Eureka, CA
-
1992
Stockton National Print/Drawing Exhibition, The Haggin Museum, Stockton, CA
RESIDENCIES/AWARDS
-
2018
Artist Residency, Blue Mountain Center, Blue Mountain Lake, NY -
2016
Artist Residency, Willapa Bay AiR, Oysterville, WA -
2015
Artist Grant, Pollock-Krasner Foundation, Inc, New York, NY -
2013
Artist Grant, Puffin Foundation, Teaneck, NJ -
2012
- Award, 4th Semiannual Competition, Dave Bown Projects, New York, NY
- Artist Residency, Blue Mountain Center, Blue Mountain Lake, NY
-
2010
- Artist Residency, Ucross Foundation Residency Program, Clearmont, WY
- Artist Grant, Artists’ Fellowship Inc., New York, NY
- Emergency Artist Grant, Change, Inc., Captiva, FL
-
2009
- Creative Capacity Fund, Center for Cultural Innovation, San Francisco, CA
- Artists’ Fellowship Residency, Ballinglen Arts Foundation, Ballycastle, Ireland
- Artist Residency, Millay Colony for the Arts, Austerlitz, NY
- Artist-in-Residence Program, Spiro Arts Center, Park City, UT
-
2008
- Cultural Equity Individual Artist Grant, San Francisco Arts Commission
- Artist Residency, Blue Mountain Center, Blue Mountain Lake, NY
-
2007
Senior Artist Residency/Fellowship, Oregon College of Arts and Crafts, Portland, OR -
2006
Artist Residency, Anderson Center, Red Wing, MN -
2005
Artist Residency, Blue Mountain Center, Blue Mountain Lake, NY -
2004
- Print and Drawing Council, Minneapolis Institute of Arts Purchase Award
- Applebaum Family Purchase Award
- Maxine and Stuart Applebaum Award of Excellence
-
2002
Individual Artist Grant, Peninsula Community Foundation, San Mateo, CA -
2001
Invited Artist, Trillium Press, Brisbane, CA -
2000
Individual Artist Grant, Peninsula Community Foundation, San Mateo, CA
MUSEUM COLLECTIONS
- Crocker Art Museum, Sacramento, CA
- Minneapolis Institute of Art, Minneapolis, MN
- San Jose Museum of Modern Art, San Jose, CA
COMMISSIONED WORK
- First Look Productions, NY, NY
- San Jose Museum of Art, San Jose, CA
- Andiamo, Feadship Holland Fleet, Haarlem, Holland
- Graciela Hotel, Burbank, CA
- Pillsbury, Winthrop LLP, San Diego, CA
- Excelsior Peabody Hotel, Little Rock, AR
LECTURE / PRESENTATIONS
-
2019
- Artist Lecture, The Mint Museum, Charlotte, NC
- Artist Lecture, Winthrop University Galleries, Winthrop University, Rock Hill, SC
-
2017
- Artist Lecture, Tracey Morgan Gallery, Asheville, NC
- Artist Lecture, Second Street Gallery, Charlottesville, VA
- Artist Lecture, Southeastern Center for Contemporary Art (SECCA), Winston-Salem, NC
- Artist Lecture/Workshop, Art's Work in the Age of Biotechnology: Shaping Our Genetic Futures, NCSU, Raleigh, NC
- Artist Panel Discussion, Evidentiary Realism, Fridman Gallery, NYC
-
2016
Visiting Lecturer, University North Carolina, Asheville, NC -
2015
Artist Lecture and Performative Reading, Turchin Center for the Visual Arts, Appalachian State University, Boone, NC -
2014
Artist Panel, Asheville Area Arts Council, Asheville, NC -
2012
Visiting Lecturer, University North Carolina, Asheville, NC -
2010
Visiting Lecturer, The Ohio State University, Columbus, OH -
2006
Resident Artist Lecture, Oregon College of Art and Craft, Portland, OR
SELECT BIBLIOGRAPHY
-
2018
- TBC/MAG, October 2018, pp.10-15
- Nonnenberg Sheryl, “Piecing Things Together”, Palo Alto Weekly, July 5, 2018
- Patterson, Tom, “Art of the State: Secca Exhibition Spotlights Works by 12 North
- Carolina Artists, Winston-Salem Journal, April 8, 2018
- Bortoluzzi, Giulia, “Evidentiary Realism: Interview with Paolo Cirio”, JULIET Magazine, February 16, 2018
- Mandelli, Claudia, “Evidentiary Realism. An Exhibition on Forensic Investigation
- and Art”, DOMUS, January 18, 2018
- “What’s Up This Week”, The Charlotte Observer, January 25, 2018
-
2017
- Felder, Lynn, “Diverse Dozen”, Relish/Winston-Salem Journal, December 30, 2017
- Busch, Benjamin, “Artists Chart Evidence of the Inhuman, and the Inhumanity of Evidence”, Artslant.com, Dec. 18, 2017
- Bruglacher, Marie-Therese, Gallerytalk.net, “The Reality in Court. Art Occurs in the Witness Box”, Dec. 7, 2017
- Peiken, Matt, “Artist vs Monsanto: Kirsten Stolle Shines a Light on Chemical Companies”, Blue Ridge Public Radio, Dec. 6, 2017
- “Evidentiary Realism”, Wall Street International, November 25, 2017
- “Kirsten Stolle Opens at Tracey Morgan Gallery”, Mountain Express, Nov. 29 – Dec. 5, 2017, p.35
- Sterling, Bruce, “Evidentiary Realism, Wired.com, November 25, 2017
- Powers, Norm, “Unmodified Vision”, Carolina Home + Garden, Fall 2017, pp. 56, 58, 60.
- “High Five: 5 Shows in the South Right Now”, Burnaway Magazine, May 5, 2017
- “Best Bets”, Winston-Salem Journal, April 23, 2017, p. D4 Stepp, Lauren, “Local-ish”, Mountain Express, August 2, 2017. pp. 36-37
- “De-Identified with Kirsten Stolle”, Identity XX Magazine, April 2017
- Mustrof, Tom, “From Agent Orange to Protein Farming”, Neues Deutschland, March 17, 2017
- Thaddeus-Johns, Josie, “Kirsten Stolle Edits Vintage Monsanto Ads to Show the
- Company’s Dicey Past”, Creators Project, March 2017
- Debatty, Regine, “Proceed At Your Own Risk. Tales of Dystopian Food and Health
- Industries”, We Make Money Not Art, March 2017
- Lev, Naomi, “Evidentiary Realism”, Critics Pick, artforum.com, March 2017
- Schenker, Dylan, “Evidentiary Realism – Revealing the Aesthetics of Investigation”, CreativeApplications.net, March 2017
- Gallant, Elise, “Evidentiary Realism”, Purple Magazine, March 15, 2017
- Valentia, Tanni, “When Realism Becomes Investigative”, Art Tribune, March 13, 2017
- “Proceed At Your Own Risk”, Wall Street International, February 27, 2017
- “Proceed at Your Own Risk”, Arshake, February 16, 2017
- Shraven, Hannah, “Berlin Art Grip”, Gallerytalk.net, February 14, 2017
- 2016 Mirocha, Lukasz and Contreras-Koterbay, Scott, “The New Aesthetic and Art: Constellations of the Post Digital”, 2016, p. 209
- Dethal, Lor, Widewalls, April 2016
- ITCH Magazine, “Character”, Issue 18, November 2016
- Suhr, Nathan, “Nowhere/Everywhere”, Cable Interview, Weston Media Group, May 2016
- Russo, Ali, “Looking for Connection at Thompson Gallery”, Artscope, May/June 2016, p. 80
- Wilkinson, Jeanne, “Shaky Ground: Seeing Nature in New Ways", Artes Magazine, February 4, 2016
- Slag Mag, “Glitter”, Volume 2, Issue 4, January 2016, p. 9
- 2015 Artnois, “GMOs Like You’ve Never Seen Before”, September 2015
- Carolina Arts, “Appalachian State Offers Three Sensational Exhibitions”, September 2015, p. 29
- Mountain Times, “Three Female Artists Debut Show”, August 11, 2015
- TOPS Magazine, ”Enriching the Soul and Nourishing the Mind”, July 2015
- Vhcle Magazine, Issue 17, April 2015 p 36-49
- Winter Tangerine Review, Volume 4, May 2015, pp 76-80
- Cleveland, Victoria and Tardiff, Sara, Veranda.com, “15 Perfectly Cozy Bedrooms to Inspire Your Fall Home Décor”, October 7
- 2014 Poetry Magazine, Poetry Foundation, December 2014, cover image
- DIALOGIST Magazine, Volume II, Issue II, October 2014
- Made In Mind Magazine, Volume 02, Issue 2, Autumn 2014, pp 33-36
- Ignatian Literary Magazine, University of San Francisco, Vol. 26, p. 59-60
- New American Paintings, The Open Studios Press, Southern Issue, No. 112, pp 140-143
- Cheng, Dewitt,“Report: San Jose,”, Artltdmag.com, January 2014
- 2013 Singh, Gary, “Around the Table at the San Jose Museum of Art”, Metro Silicon Valley, November 2013
- “Around the Table: Food, Creativity, Community”, San Jose Mercury News, November 2013, p. 3
- Bristol Herald Courier, “Briefly Around the Empire”, November 2013
- Volkmar, Karl, “A Flavor For Every Taste Then Some”, The New Orleans Art Review, Fall/Winter 2013, p. 29
- “Quasimodo”, by Mia Gallagher, (chapbook), Spolia Literary Magazine, Bookslut
- Press, September 2013 (front/back cover/inside images)
- AuCourant Magazine, “Genetically Commodified Art”, Issue Number 011, March 2013
- Première Vision, Indigo Paris Fashion Edition, “Influences”, Parc d’Expositions de Paris-Nord Villepinte, February 2013
- Première Vision, Indigo New York Edition, “Influences”, Metropolitan Pavilion, January 2013
- International Drawing Annual (INDA), An Exhibition in Print, Volume 7, Manifest Gallery and Drawing Center, January 2013
- 2012 Slice Magazine, “Growing Up”, Issue 10, April 2012, pp 11, 77
- Hurand, David, “GMOs Target of New Art”, WCQS, Western North Carolina Public Radio, March 2012
- Gullow, Ursula, “Gross Anatomy: An Artist Imagines Post Monsanto Human”, Verve Magazine, March 2012, pp 28-29
- “Genetically Modified Dolls”, The Laurel of Asheville, March 2012, pp 20-21
- 2011 Atlanta Homes Magazine, May 2011, p. 26
- Fox, Catherine, “Stolle’s Work Playful,” Atlanta Journal and Constitution, April 2011
- 2010 Klinkenborg, Verlyn, “Ucross Foundation: 27 Years of Visual Arts Residencies”, Nicolaysen Art Museum, p. 80. (exhibition catalog)
- EDNA Journal, Millay Colony for the Arts, Issue 2, p. 17
- Dorrans Saeks, Diane, Crème Freche, San Francisco Magazine, May 2010, p.54
- Dorrans Saeks, Diane, “Out of the Shadows”, San Francisco Magazine, February 2010, p. 67
- Feher, Erin, 2010 CH+D Award for Showcase Design: Matthew Leverone, California Home and Design, February 2010, pp 84-85
- New American Paintings, The Open Studios Press, Pacific Coast Edition, Volume 85, pp 132- 135
- 2009 Donahue, Joe, “The Roundtable: Millay Night in Hudson”, WAMC, Northeast Public Radio, August 2009
- Marshall, Greg, “She Unlocks Organic Mysteries”, The Park Record April 25-28, 2009
- Marshall, Greg, “An Acme Lab for Artists”, The Park Record, April 8-10, 2009, pp C1-C2
- Fulton, Ben, “Visual Art Notes”, Salt Lake Tribune, April 2009
- 2008 ElevenEleven, Small Press Distribution Inc, California College of the Arts, editor Hugh Behm-Steinberg, Issue # 5, June 2008
- Wichert, Geoff, “Color from the Hive, New Encaustic Paintings at Julie Nester Gallery”, 15Bytes, September 2008
- Cheng, Dewitt, Kirsten Stolle: Evolutionary Soup at Dolby Chadwick Gallery, Art. Ltd., March 2008, pp 20-21
-
2007
- Daniels, Diana, Asst. Curator, Crocker Art Museum, Kirsten Stolle, Evolutionary Soup, Catalog Essay, December 2007 (exhibition catalog)
- Koppman, Debra, “Previews, Artweek, November 2007, p. 6
- Gallivan, Joseph, “September Shebang Flattens for Fall”, Portland Tribune, October 2007, p. B2
- 2006 Marshall, Greg, “Uncovered”, The Park Record, July 2006, p. C2
- SLWeekly.com, 24Seven, City Weekly, July 2006, p. 29
- 2005 New American Paintings, The Open Studios Press, Pacific Coast Edition, Volume 61
- “Derailed”, Di Bonaventure Pictures, starring Jennifer Aniston and Clive Owen, Spring 2005
-
2004
St. Paul Pioneer Press, “Crown Prints”, January 2004 -
2003
San Mateo County Times, “An Artists Mecca”, June 2003 -
2002
Hayden’s Ferry Review, Arizona State University, Spring/Summer 2002, p. 73 -
1998
Hayden’s Ferry Review, Arizona State University, Spring/Summer 1998, p. 38
EDUCATION
- Illustration Courses, Massachusetts College of Art, Boston, MA, 1990
- BA Studio Art, Framingham State University, Framingham, MA, 1989
- Visual Studies, Richmond/Kensington College, London, England, 1988
- Born in Newton, MA, 1967
- Resides in Asheville, North Carolina, United States